MASTERING SOUND AND VISION · DIGITAL BUNDLE

THE LIBRARY COMPANION

This isn’t a single book — it’s the complete path. A sample of what’s actually inside:

2 volumes · 64 chapters · for building and preserving a music and film collection worth keeping

What You’re Actually Hearing and Seeing

What a Recording Actually Contains · What a Film Image Actually Contains · Different Masters of the Same Album

Formats, Without the Confusion

Lossless and Lossy Compression · Resolution: SD, HD, 4K and Beyond · SDR, HDR10, HLG and Dolby Vision

Building a Real Collection

Choosing Reference Recordings · Choosing Reference Films and Scenes · Identifying Film Editions and Masters

Keeping It

Backups and Preserving a Digital Library · Preserving Discs and Local Video Files


The Actual Voice, Not a Promise

Here’s the genuine opening of Volume IX, word for word, exactly as it appears on the page:

“A music system does not reproduce a performance directly. It reproduces a particular recording, mix, master, edition and delivery. Two releases of the same album can differ more than two competent digital sources, while a technically impressive format can carry a disappointing master with perfect accuracy.”

The opening lines of Volume IX, Music, Recordings and the Listening Library — shown exactly as written.

More Pages, Not Just One

That’s the opening words. Here’s a fuller sample, drawn from across this bundle:

This is the standard running through every volume in this bundle: the recording or master is treated as the real ceiling on quality — not the format, and not the equipment.